The Persistence of Memory (1931)
Salvador Dali
The Enigma is on a quest to peel through the mysteries of Surrealism and the works of Salvador Dali for her Art course. because his melting clocks enrapture her imagination; from the first time she set her eyes on that monumental sculpture downtown one september night to almost 2 years later, as the same imagery encounters her again.
Salvador Dali
The Enigma is on a quest to peel through the mysteries of Surrealism and the works of Salvador Dali for her Art course. because his melting clocks enrapture her imagination; from the first time she set her eyes on that monumental sculpture downtown one september night to almost 2 years later, as the same imagery encounters her again.
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I was pleasantly surprised to be reminded by the "melting clocks" in The Persistence of Memory that one cool night in 2006 I was roaming Orchard and peering at these sculptures, intrigued by the symbolism which remained thinly veiled to me; it stirred such a curiosity but i lacked the vocabulary to describe it, the language to organize my thoughts, the lens through which i could understand and interpret it as a piece of art. To finally recognize that I was in such close proximity to art that i now know the significance is such a serendipity.
Profile of Time
Alice in Wonderland
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Primarily a French movement in the 1920s, Surrealism is more than an art movement, but an entire philosophical movement; a way of feeling, a way of living, a way of loving. Like all movements, threads break off and branch out into different forms, into artists depicting fetishes and perversions, but the spirit of surrealism at its inception was more basic and less particular:
"Si vous aimez l'amour, vous amierez le surrealism." >- André Breton, 1924
Breton once said thatin love it was not happiness he sought, but love itself. It was a statement that expressed the combination of hope and despair that fuelled the movement's unwavering engagement with the theme of love.
I am still in the process of being acquitted with my new love. Surrealism. The name even leaves a satisfying aftertaste on my tongue. It seems to put into concrete being the inner world which i have resided in for most of my life, the way i see the world, the way i feel my dulating emotions, and finally now, the way i choose to live.
If Surrealism were a person, it would be a seeker of dreams, the one hopelessly afflicted with wanderlust, with his redeeming factor the courage to give in to his whims and leaving all else behind, pack his bags and go, leaving the constricting world which he knew all his life with his idealistic paradigm intact. Songs and poems to keep his spirit sweet in the lonely days, the fire against conventionality to keep him warm by night.
If Surrealism were to be represented by a single image, i would choose the "melting clock" for the instrumentality of a clock as a time-keeper in this image can only be contrasted with its more ethereal destiny to highlight the futility of time itself. What you thought was the resolute march of time and memory is more fluid and indecisive than you think.
If Surrealism were a song, it would be a lone piano piece by the moonlight, full of the languid sweetness of undying idealism in one movement, and bursting with the gallop of angst against the constricting "real" world it so deplores in another. The contradictions disrupt the synchronization, but it was meant to be 2 entities anyway.
If Surrealism were a lover, it would be one willing to open up his chest and show his pulsating heart to the doubting lover. Gory yes, but such is the unabashed dreaminess yet boldness of Surrealism.
Breton once said thatin love it was not happiness he sought, but love itself. It was a statement that expressed the combination of hope and despair that fuelled the movement's unwavering engagement with the theme of love.
“I think of nothing but love. The continual amusement I derive from intellectual pursuits, for which I am always being reproached as it it were a crime, finds its very justification in this singular and unceasing taste for love. For me there is no idea that is not eclipsed by love. It if were up to me, everything opposed to love would be abolished. That is roughly what I mean when I claimed to be an anarchist.”- Louis Aragon, 1924
I am still in the process of being acquitted with my new love. Surrealism. The name even leaves a satisfying aftertaste on my tongue. It seems to put into concrete being the inner world which i have resided in for most of my life, the way i see the world, the way i feel my dulating emotions, and finally now, the way i choose to live.
If Surrealism were a person, it would be a seeker of dreams, the one hopelessly afflicted with wanderlust, with his redeeming factor the courage to give in to his whims and leaving all else behind, pack his bags and go, leaving the constricting world which he knew all his life with his idealistic paradigm intact. Songs and poems to keep his spirit sweet in the lonely days, the fire against conventionality to keep him warm by night.
If Surrealism were to be represented by a single image, i would choose the "melting clock" for the instrumentality of a clock as a time-keeper in this image can only be contrasted with its more ethereal destiny to highlight the futility of time itself. What you thought was the resolute march of time and memory is more fluid and indecisive than you think.
If Surrealism were a song, it would be a lone piano piece by the moonlight, full of the languid sweetness of undying idealism in one movement, and bursting with the gallop of angst against the constricting "real" world it so deplores in another. The contradictions disrupt the synchronization, but it was meant to be 2 entities anyway.
If Surrealism were a lover, it would be one willing to open up his chest and show his pulsating heart to the doubting lover. Gory yes, but such is the unabashed dreaminess yet boldness of Surrealism.